Ntozake Shange :: Male White Dominance Essays Prejudice

Ntozake ShangeAfter spending a semester looking at Gardners limited picking of people, I became frustrated at his blatant message that albumin male creativity is the only one to exist. With his obtrusive message in mind, I matt-up the need to challenge Gardner and his model to become less Euro-centrally male driven. In order to confront him, I lead chosen a person who is neither, White nor male. Instead, she is a glum American woman who I can consider to be, in many aspects, a creative genius. Although I find it incredibly insincere to try to fit Ntozake Shange into Gardners creativity model, for all intensive purposes for the class I allow for first point out how she does meet his model. Next, in accordance with opprobrious feminists, I will examine why she does not fit into Gardners creativity model and frankly, why it does not matter that she is not shaped into the model. Further, I will confront the issue that marginal people are rejected societys cannon (i.e. the white ma le cannon), and how Gardner, in the position of a writer he could have broken down some of these barriers. Ntozake Shange does fit into five of the seven intelligences in Howard Gardners model. As a performance artist, poet, musician, writer, and politician, Shanges intelligences span the interpersonal, spatial, kinesthetic, musical, and verbal talents. She blends music, drama, and poetry to characterize the Black experience in America, particularly the Black female experience. Her plant empower women to take responsibility for their lives by learning to love themselves and challenge their oppressors. Shanges life and works give clarification and direction to the current feminist movement (Black Women in America).Furthermore, her supportive back-ground fits her into Gardnerstheory that, the roles of family and teachers during the formative years, as well as the roles of crucial supportive individuals during the quantify in which a creative breakthrough seems imminent through the l ives of creative people (8). Paulette Williams was born to Eloise and Paul Williams on October 18th, 1948. Later in life, Paulette Williams changed her slave ca-ca to an African name, Ntozake Shange. Ntozake means she who comes with her own things and Shange means who walks like a lion (Current Biography 1978). However, in her earlier life, Shange lived a seemingly comfortable life. Her mother was a psychiatrist/social worker and her father was a surgeon. Despite their Blackness in a times of segregation, Shange was given violin and dancing lessons while heart-to-heart to other artistic activities as well.